Yasmine Abbas information, index
Architecture installation
Collaboration w/ Dk Osseo-Asare, Low Design Office
The Perimeter of Architecture: Amid the Elements
Biennale Architettura: Intelligens. Natural. Artificial. Collective
May 10 – November 23
Electa Book Pavilion, Giardini, Venice, Italy
Photo © Ana Calhoun
Participatory design project
Collaboration w/ Dk Osseo-Asare, Low Design Office
Core team 2013-2017: Ivy Asuo, Emmanual Kusi Ofori-Sarpong, Kay Acheampong
Map of the informal Agbogbloshie scrapyard, site of the project, 2017
Spacecraft_ZKM mobile makerspace made in and around Agbogbloshie, 2018
Drawing and photograph © AMP
Participatory installation
Collaboration w/ Dk Osseo-Asare
Driving the Human October 12 – 18, 2021
Radialsystem, Berlin, Germany
Photo © Camille Blake
The exhibit includes works by Nicholas Backer, Audrey Buck, Brendan Burke, Yumih Chang, Aleah Davis, Nicolas Fudali, Jonathan Gutt, Alexander Hopple, Danielle Hind, Thomas Leonard, Teagan Marron, In Pun, Bryan Ray, Joshua Tubay, Nathan Steinhauer and Robert West.
French architect, artist, researcher and educator Yasmine Abbas explores how neo-nomadism affects the practice of design and the experience of place. She is the author of Le Néo-nomadisme: Mobilités, partage, transformations identitaires et urbaines (FYP, 2011). Her varied art and design engagements are vehicles to interrogate how an increasingly mobile, cosmopolitan, and connected population can meaningfully inhabit a world in flux. Her work has been published as chapters in edited books: Ecologies du Smartphone (Le Bord de l’Eau, 2021), The Ghosts of Transparency: Shadows Cast and Shadows Cast Out(Birkhaüser, 2019), Technologies numériques du soi et (co-)constructions identitaires, (l’Harmattan, 2009), and in journals, Volume, MONU, AA Files, New Geographies, and Architectural Design.
With Dk Osseo-Asare, Abbas co-founded the Agbogbloshie Makerspace Platform project, or AMP, as a hybrid design and research collaboration between their practices, Panurban and LowDO. The work has received numerous awards, the 2017 Social Economic and Environmental Design (SEED) Award and the 2020 Le Monde Cities Urban Innovation Award – Citizen Engagement Prize. AMP has been exhibited internationally, at the 2017 Seoul Biennale for Architecture and Urbanism, and as commissioned installations for the Center for Art and Media – ZKM, Karlsruhe, Germany (Exhibition: Digital Imaginaries: Africas in Production, 2018), the Museum für Gestaltung Zürich, Switzerland (Exhibition: Repair Revolution! 2023) and the Biennale Architettura 2023: The Laboratory of the Future, Venice, Italy.
Her multicultural background and international work experience in Africa and the Middle East, Asia, Europe, and North America have informed her creative approach to research and teaching, for which she received an Innovator Award from the Center for Pedagogy in Art and Design at Penn State (2018). Prior to joining Penn State where she directs the Immersive Environments Lab, Yasmine held positions as Chair of Design Management at Paris College of Art, as Module Lead (Digital Culture) at the Ecole des Ponts Paris-Tech and as Professeur Associé at the Ecole Spéciale d’Architecture in Paris, France. She holds a Doctor of Design from the Harvard University Graduate School of Design and a Master of Science in Architecture Studies from MIT.
With Dk Osseo-Asare, Abbas co-founded the Agbogbloshie Makerspace Platform project, or AMP, as a hybrid design and research collaboration between their practices, Panurban and LowDO. The work has received numerous awards, the 2017 Social Economic and Environmental Design (SEED) Award and the 2020 Le Monde Cities Urban Innovation Award – Citizen Engagement Prize. AMP has been exhibited internationally, at the 2017 Seoul Biennale for Architecture and Urbanism, and as commissioned installations for the Center for Art and Media – ZKM, Karlsruhe, Germany (Exhibition: Digital Imaginaries: Africas in Production, 2018), the Museum für Gestaltung Zürich, Switzerland (Exhibition: Repair Revolution! 2023) and the Biennale Architettura 2023: The Laboratory of the Future, Venice, Italy.
Her multicultural background and international work experience in Africa and the Middle East, Asia, Europe, and North America have informed her creative approach to research and teaching, for which she received an Innovator Award from the Center for Pedagogy in Art and Design at Penn State (2018). Prior to joining Penn State where she directs the Immersive Environments Lab, Yasmine held positions as Chair of Design Management at Paris College of Art, as Module Lead (Digital Culture) at the Ecole des Ponts Paris-Tech and as Professeur Associé at the Ecole Spéciale d’Architecture in Paris, France. She holds a Doctor of Design from the Harvard University Graduate School of Design and a Master of Science in Architecture Studies from MIT.
Education
Harvard Graduate School of Design
Doctor of Design
2006
Massachusetts Institute of Technology
Master of Sciences in Architecture Studies
2001
Ecole Nationale Supérieure de Paris-Val-de-Marne
Architect Diplômé Par le Gouvernement [ with Félicitations ]
1997
Doctor of Design
2006
Massachusetts Institute of Technology
Master of Sciences in Architecture Studies
2001
Ecole Nationale Supérieure de Paris-Val-de-Marne
Architect Diplômé Par le Gouvernement [ with Félicitations ]
1997
Solo Shows
2025
Exhibition
Date
Location
Exhibition
Date
Location
Group Shows
2025
The Perimeter of Architecture: Amid the Elements
Biennale Architettura: Intelligens. Natural. Artificial. Collective
May 10 – November 23
Electa Book Pavilion, Giardini, Venice, Italy
2024
XRe_Cognition
April 9 – 10
Immersive Environments Lab, Penn State, USA
2023
Dangerous Liaisons
Biennale Architettura: The Laboratory of the Future
May 20 – November 26
Arsenale, Venice, Italy
2023
Design for the Common Good
October 4 – 19
Artus Contemporary Art Studio, Budapest, Hungary
2023
Repair Revolution!
March 31 – October 15
Museum für Gestaltung Zürich, Switzerland
2022
Design for the Common Good
January 14 – March 19
Center for Visual Art, Metropolitan State University of Denver, USA
2021
Driving the Human
October 12 – 18
Radialsystem, Berlin, Germany
2021
UFA, Université des Futurs Africains
April 9 – August 29
Lieu Unique, Nantes, France
2019
On/Of Paper
December 2 – March 6, 2020
Willard Rouse Gallery, Penn State, USA
2019
Plug-In, Turn On
February 7 – March 31
Hub-Robeson Gallery, Penn State, USA
2018
Digital Imaginaries: Africas in Production
November 17 – March 17, 2019
ZKM, Karlsruhe, Germany
2018
Afropixel #6: Non-Aligned Utopias
26 Feb – 30 May
Kër Thiossane, Dakar, Senegal
2017
Seoul Biennale of Architecture and Urbanism: Production City
September 1 – November 5
Sewoon Sangga, Seoul, Korea
The Perimeter of Architecture: Amid the Elements
Biennale Architettura: Intelligens. Natural. Artificial. Collective
May 10 – November 23
Electa Book Pavilion, Giardini, Venice, Italy
2024
XRe_Cognition
April 9 – 10
Immersive Environments Lab, Penn State, USA
2023
Dangerous Liaisons
Biennale Architettura: The Laboratory of the Future
May 20 – November 26
Arsenale, Venice, Italy
2023
Design for the Common Good
October 4 – 19
Artus Contemporary Art Studio, Budapest, Hungary
2023
Repair Revolution!
March 31 – October 15
Museum für Gestaltung Zürich, Switzerland
2022
Design for the Common Good
January 14 – March 19
Center for Visual Art, Metropolitan State University of Denver, USA
2021
Driving the Human
October 12 – 18
Radialsystem, Berlin, Germany
2021
UFA, Université des Futurs Africains
April 9 – August 29
Lieu Unique, Nantes, France
2019
On/Of Paper
December 2 – March 6, 2020
Willard Rouse Gallery, Penn State, USA
2019
Plug-In, Turn On
February 7 – March 31
Hub-Robeson Gallery, Penn State, USA
2018
Digital Imaginaries: Africas in Production
November 17 – March 17, 2019
ZKM, Karlsruhe, Germany
2018
Afropixel #6: Non-Aligned Utopias
26 Feb – 30 May
Kër Thiossane, Dakar, Senegal
2017
Seoul Biennale of Architecture and Urbanism: Production City
September 1 – November 5
Sewoon Sangga, Seoul, Korea
Press
‘A Agbogbloshie, une plate-forme collaborative pour promouvoir le up-recycling’
Le Monde Cities
2020
‘Sound, light and space exhibition coming to the HUB-Robeson Gallery’
Penn State News
2019
‘Bricolage... or the impossibility of pollution’
e-flux
2018
‘AMP creates mobile workshops for world's largest e-waste dump’
DEZEEN
2016
‘In search of the neo-nomad: is a new breed of wireless worker emerging?’
BBC News
2007
‘Quand les mobilités changent nos vies’
Sud Ouest
2005
Le Monde Cities
2020
‘Sound, light and space exhibition coming to the HUB-Robeson Gallery’
Penn State News
2019
‘Bricolage... or the impossibility of pollution’
e-flux
2018
‘AMP creates mobile workshops for world's largest e-waste dump’
DEZEEN
2016
‘In search of the neo-nomad: is a new breed of wireless worker emerging?’
BBC News
2007
‘Quand les mobilités changent nos vies’
Sud Ouest
2005
Donec amet velit
Semper augue egestas,
Fusce, Sed ut–Enim et, 1995
Etiam Feugiat
Ipsum: Nullam Libero
Diam Elit Vestibulum, Neque
1989
Sanded paper, henna, charcoal
Dimensions: 150cm x 300cm
2016
Tellus Magna sed Dictum lacinia Laoreet Donec sed vivamus eleifend magna ipsum, nisi magna cursus sed amet.
Vestibulum: 130.00 x 51.00 cm
1972
Donec Cum-Nunc Turpis
Donec
61 × 8.9 × 8.9 cm
1958
Sed Velit
Donec ipsum, nunc, sed, et nisi
Nisi Et Sit Nam Ipsum Tellus
Fusce Massa lorem ad augue
1987
Dolor ut
Tincidunt Lacinia Aliquam Vestibulum
Mortem et Vivamus
Donec ipsum, 1985
225 x 120 x 350cm
Augue
Malesuada
15 x 26 x 197cm
1967
Nulla et sed Laoreet
1984
accumsan fusce
Dictum Curabitur at Eleifend Lacinia
2017
Neque - Illume Faccum
Quo element magna fugit
1960
Quam Nulla Voluptas Neque Omni Ipsum (Qui ipsum unbesteigbaren Neque)
Tempor dolore, laborum: consequat 2 3/4 inches
1984
Quame Nulla Laborum
Magna media ullamco
Variable dolorem
1985
Quo Rerum Corporis (Aut Auctor Facere)
Numquam, ipsum voluptas, neque
11 ½ × 5 ¼ × 13 feet
1988
Gelose-Aliqua
Dolorem, Wax, Commodo Porro
20 cm x 35 cm x 35 cm
1969
Quis: Magna Exceptur
Maximus (Dolore Enim)
68 7/8 x 31 x 31 in
1959
Incidunt
Lorem (nostrud sed magna)
91 × 91 × 91 cm
1981
Tellus Magna sed Dictum lacinia Laoreet
Donec sed vivamus eleifend magna ipsum nisi magna cursus sed amet
Vestibulum: 130.00 x 51.00 cm
1972
Quame Dolor/Ullamco
1987
Commodo velit
Magna Ipsum Laborum,
Commodo, May 5–July 29
1995
Quidem aut Accusamus sit enim Nostrud
Commodo velit sit enim P.S. 1 excepturi
October 2–November 27
1988